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Swordspoint: A Melodrama of Manners
Get Free Ebook Swordspoint: A Melodrama of Manners
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Audible Audiobook
Listening Length: 10 hours and 51 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Neil Gaiman Presents
Audible.com Release Date: November 29, 2011
Language: English, English
ASIN: B006FS2C98
Amazon Best Sellers Rank:
Swordspoint is very much my cup of tea! It’s a witty, irony-laden good time that reads as if Dangerous Liaisons had been written by Jane Austen. I love Fantasy of Manners as a subgenre, and as far as I know, this is one of the earliest examples (I understand Kushner coined the term, even). There are debonair sword fighters, ruthless aristocrats and subterfuge galore. All this set in a fictional society known as Riverside, which is not unlike 18th Century England. I absolutely adore political intrigue so for me this scratched a lot of the right itches, however it’s low on action and it’s an extremely feminine novel so this isn’t going to work for everyone. If you’re looking for Grimdark, turn on your heel and look elsewhere. Those who aren’t fans of the classics might find the pacing and the lack of fantasy elements difficult to get to grips with. Indeed, it’s an outside-the-box sort of fantasy novel in that there is no magic, no fantastic creatures – very little that people have come to expect from this genre. However, the fictional setting and culture kept me gripped, along with some beautifully evocative prose. I found myself reminded of Jane Austen’s own description of Pride & Prejudice: “light and bright and sparklingâ€.I listened to the audiobook for much of the novel and I would highly recommend going this route – Kushner herself provides the narration, with a voice cast, music, and special effects. It’s absolutely sublime, for me everything clicked wonderfully and added to the atmosphere without being intrusive, though your mileage may vary as I have spoken to at least one person who found it distracting. The voice actors are excellent and the amusement in Kushner’s voice sets the tone perfectly.The plot, while not action packed (though there are some excellent swordfights), provides plenty of twists due to the cunning schemes of its characters, leading to a climactic courtroom scene that put me in mind of The Merchant of Venice with its sheer cleverness. There’s romance, a femme fatale for the ages, and a fluid and delicious approach to sexuality that is far ahead of its time given that the novel was published in ’87. It is a book that will no doubt be divisive for some, but for me it was a joy. I’m thrilled to have been reunited with this author, and I’ll be picking up the rest of this series for sure.
I almost took a star off, as I felt the world building was limited: Kushner concentrates on one city, its nobility, and its lower class. There isn't even a middle class, and the countryside gets mentioned maybe twice. There is no army. We're never told if there are other countries in this world.The prose, though, is drop-dead gorgeous, and the plot is fascinating, built around the nobility's tradition of hiring killers (swordsmen) to decide questions of honor and power. If kept within the rules, such things are legitimate. The swordsman will "challenge" the noble's enemy, always another noble. That noble then calls one of his own swordsman to take up the challenge, and the swordsmen duel, either to first blood, or to death. If the swordsman manages to challenge a noble where he can't call on his own swordsmen, then the noble himself must duel or lose his honor, providing a convenient and legal means of assassination.These games involve our heroes: Richard, the emotionally frozen, calm, pleasant killer, the best swordsman of them all, and Alec, his suicidal, bloodthirsty beloved. Richard must watch Alec like a hawk, as he never knows when Alec might try to cut himself, overdose on drugs, or toss himself into a fireplace. Alec's nightly pastime is to annoy someone into attacking him, as his considerate lover will then step in and kill the annoyance for him. Watching Richard kill makes Alec horny, and that, of course, makes Richard happy. It's the perfect relationship, built around death, bloodshed, self destruction, excellent sex, and what seems like genuine affection. That Kushner also makes this relationship romantic and sweet, and fits it perfectly into the complex plotting of the nobility make this a truly unique novel.
Swordspoint by Ellen Kushner was a book recommendation from a friend whose opinion I trust, and the story was every bit as lush as I had hoped. Granted, if you're looking for something straightforward in terms of narrative, this may not be your novel. That being said, if you're in the market for a work where an author handles omniscient third person point of view masterfully with vivid descriptions of people and places, then Swordspoint is a winner.We enter a world where swordsmen are employed by those wishing to settle scores or eliminate opponents via what amounts to legalised assassination – with rules, mind you. The swordsmen themselves are elevated to the status of celebrities – and it is one such swordsman, Richard St Vier, whose story is the primary one that we follow. Richard is dragged into the murky machinations of the local nobility, and though he is never one to be told what to do, he nevertheless tries to push back – and the results have consequences that are difficult to predict.Much like life, there is no clean closure in Swordspoint. Where the story shines, is in its dialogue, and the mindful expression of interpersonal power play between characters. This is not so much a novel about a quest, but rather a slice of life that gives readers a glimpse into the Machiavellian plotting in a complex society. This is also a novel that begs a second read-through to pick up the bits missed the first time through. Don't go into this expecting magic, dragons and elves – this may as well be fantasy fiction of a historical bent, reminding me an awful lot of the work of Alexandre Dumas with a side order of queer and sharp tongues.
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