PDF Ebook The Disaster Artist: My Life inside 'The Room', the Greatest Bad Movie Ever Made
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The Disaster Artist: My Life inside 'The Room', the Greatest Bad Movie Ever Made
PDF Ebook The Disaster Artist: My Life inside 'The Room', the Greatest Bad Movie Ever Made
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Audible Audiobook
Listening Length: 11 hours and 38 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Tantor Audio
Audible.com Release Date: May 19, 2014
Whispersync for Voice: Ready
Language: English, English
ASIN: B00K5SAH0U
Amazon Best Sellers Rank:
I have no idea why I started reading this book, but I've got no regrets!I'd never heard of the movie before, but I found a copy online and started watching it. As soon as I heard the first awkward line ("Hey babe, I have something for yyuuuu!"), I had to pause the movie because I was laughing so hard I had tears in my eyes.I then went and got all of my coworkers and we dicked off work for 3 hours watching, pausing, rewinding, and rewatching it.So this book inspired me to watch the movie which inspired a thousand jokes, and now my wall at work is covered with Johnny memes. I've since recommended the book to 3 or 4 friends who have also downloaded and read it, and I would recommend it to you as well.
Greg Sestero has done something fantastic. He's managed to perfectly pinpoint all of Tommy Wiseau's eccentricities and show us exactly why we should care about him. Our dear Sestosterone is not only talented at growing beards and playing football, he's also a great and engaging writer. As a longtime fan of The Room, I really enjoyed the way Greg switched between talking about his early years with Tommy and the actual drama happening on the set of The Room. Each anecdote is better than the last.I think as fans we sometimes forget that these characters we see onscreen (and yell insults to on countless midnight screenings) are portrayed by actual human beings, separate from their characters. I loved reading about how Juliette Daniels ended up playing Lisa and Dan Janjigian's preparation for the Oscar-worthy role of Chris-R. The Disaster Artist has brought an entirely new dimension to The Room. The book's biggest feat was helping the reader understand Tommy Wiseau, as much as anyone can understand Tommy Wiseau. Some of the details that Greg shares with us break my heart. I now view Tommy in the same way one would view a vampire puppy-- with an equal mixture of "aw" and "eek".I can be sure that the next midnight screening I attend, I'll be giggling to myself over how long it took to shoot the famous, "I did naaht heet her" line. Or over the real reason why Peter was blinking so much. Or whether the enigmatic Chloe knows what obscenities audiences yell when they see her name appear onscreen. Without this book I would never have known that I've memorized The Room better than Tommy Wiseau. It was a fantastic read and I'm so excited to see what Greg Sestero does next!
I am a little bit obsessed with The Room. It's not a constant thing--I can go for months without watching it or talking about it or probably even thinking about it--but sooner or later, I find myself talking to a friend or acquaintance about my love of entertainingly bad movies, and I mention the The Room as being (in my opinion) the best bad movie ever made. Usually the person I'm speaking to will not have heard of The Room, or will have heard of it but not seen it, which immediately necessitates bringing up internet video footage and inevitably rekindles the obsession. Who is this Tommy Wiseau? Where did he get that crazy accent, how old is he, and how in the heck did he make enough money to pour six million dollars of his personal fortune into this movie, and what on earth was he trying to accomplish by doing so?If you have seen The Room, you probably already realize that the man behind the movie is a person who doesn't see things the way the rest of us see them. We see poorly-built sets, ill-fitting and unflattering costumes, stilted dialogue riddled with non sequiturs, rampant continuity issues, bad green screen special effects, nonsensical plotlines, and most of all, Tommy himself, who is probably the worst actor you've ever seen unless you attend a lot of middle school theater productions...and maybe even then. But, as this book very eloquently explains, Tommy saw something else entirely.If you are looking for pee-your-pants funny anecdotes about what it was like for Greg Sestero to be first Tommy's friend and then, eventually, his employee on the set of The Room, they're here. (He had to write down the code to his apartment's gate because he could never remember it--it was 1234!!) If you want to understand the many issues that plagued the production of The Room and how the thing got finished against all odds, that's here too. (Short answer: he's loaded. Money can fix almost anything.) If you want to understand who Tommy Wiseau is, that is probably an exercise in futility, but Greg Sestero does an admirable job in showing us his own understanding of that question, as well as some of how Tommy understands himself. (He's a vampire, obviously.) This was a very satisfying read that I think came as close to answering my questions about Tommy Wiseau as anything possibly could.Obviously it's easy to make fun of The Room, as I have done myself in my Amazon review of it. And there is a side to Tommy Wiseau that is very hard to like--manipulative, vain, secretive, annoying, argumentative, cruel, misogynistic, and insecure, and I think you can see aspects of that in The Room. But there is also another side to him, a side that's playful, naive, fun, and really kind of delightful, and I think that's why I keep coming back to The Room, because that side of him comes out in the final cut too. No one else could have made this movie because if anyone else tried, they'd know just how bad it was, and they wouldn't be able to stop themselves from throwing a little irony in there, letting you know that they know. The Room doesn't do that--it is utterly sincere in its awfulness, and that makes it kind of charming and really special. It is very difficult to coordinate the million details that need to come together to make a movie, as I knew even before I read this book, but Tommy Wiseau did that against all the odds, and I give him credit for that. I think very few of us who have enjoyed The Room ever suspected that Tommy Wiseau was trying to make a movie about the worst experience of his life, that he is Johnny in a very literal sense, and that he fully expected the audience to react to his movie the same way he had reacted to his reality. Of course they didn't...but they watched it and loved it anyway, and that is an accomplishment, even if it's not quite the accomplishment he was hoping for.Thank you, Greg Sestero, for writing this truly entertaining and illuminating book. And also for being Tommy's friend all those years and not murdering him and depriving the world of the amazing and unbelievable disaster that is The Room.
While on the surface a filmmaking behind-the-scenes tell-all in the vein of The Devil’s Candy (Bonfire of the Vanities) or Losing the Light (The Adventures of Baron Munchausen) about the notoriously bad cult film The Room, The Disaster Artist is a personal memoir about the men behind the film, and an examination of co-author Greg Sestero’s complicated relationship with the even more complicated and mysterious Tommy Wiseau. This book has everything that The Room fans undoubtedly crave, with plenty of backstage shenanigans and revelations on the how and why of some of the more famous aspects of the film, such as what is up with the spoons? But it’s the human element of the book that most will find the most revealing, as Sestero shines a light on the tragically human figure behind Wiseau’s outwardly wacky and enigmatic presence. It’s a must read for film fans, but be prepared to do more than just laugh at bad filmmaking.SPECIAL NOTE: For those who have yet to read the book or see James Franco’s film adaptation, I highly recommend seeing the film first. Franco’s film is a faithful adaptation of the spirit of the book, but much was obviously excised and changed in order to adhere to feature film length, and I personally feel that the discoveries to be found by reading the true accounts after watching the abbreviated film translation will actually increase your appreciation of both.
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